It’s my understanding that most hornpipe steps would be difficult for dancers at a very fast tempo. This is meant to be played at a moderate tempo with the syncopated hornpipe bounce. The 3rd part can be traced back to 1920 era recordings. Arr for Dulcimer by Gary Gallier, Advanced, dAD, Key D – Wonderful hornpipe that I discovered has 3 parts. Tune plays in A first then changes to a version in G. It is also a good tune to practice your alternating pick stroke…I've got pick direction notation under the TAB. Dulcimer should have the 1.5 fret for the Key of G version. Arr for dulcimer: Gary Gallier, Intermediate, dAD, Key A modulating to G – Here’s a fun Celtic reel that is also a introductory lesson in playing cross key out of standard dAD tuning. Start with chord position 110 Em chord and just pick it ! As slow as you need to get it right. I have put pick direction notation on this one. If nothing else the A part is just a great picking hand exercise for working on cross string alternating pick strokes. Another Celtic tune that is similar to “Cooley’s Reel”, but not as hard. Arr for dulcimer: Gary Gallier, Intermediate, dAD, Key Em – No Capo out of open D tuning. Tips for execution….I know I sound like a broken record, but use a different finger for each note and alternate your pick direction. If nothing else though, I hope it’s enlightening. Getting up to speed will of course, like all my arrangements, require some practice. It will be a pretty easy song for you to understand. Without retuning from dAD, the tune is played first in C and then modulates up to the key of D. This is a nice lesson in the versatility of flatpicking when it comes to good use of the 1.5 fret, and being able to play in multiple keys. Gary Gallier, Advanced Beg – Intermediate, dAD, Key C modulating to D. I have written a more complete explanation of this in the category of Writings called "Cross Key Scales". Here is some Tab of scales in various keys. To play melody cross key you need to practice the scales available cross key frequently using the 1.5 fret. This is accomplished by playing scales across the fretboard on multiple strings. Cross Key Scales Several songs on this Tab page will be in Keys other than D, but played without a capo while tuned to dAD.Tip: Hold a 110 Em Chord to start the A Part and 011 to start the B Part. Work a phrase repeatedly till you can play a decent tempo, then do the same with the next phrase. This is a fun Irish reel that is really good for educating your picking hand. Intermediate to Advanced, dAD,Key of Em- No capo out of open D tuning. If you print, the Harmony line is directly under it's companion Melody line.
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I show full 3 note chords in the Harmony even though sometimes only a partial is actually played. TIP - f or both parts, practice your chord changes first with just a strum to familiarize yourself with hand positions. Playing Harmony you WILL become adept at playing a bunch of D,A,Bm,F#m, and G chords and their inversions, so a great study/practice piece to that end. This tune is the definition of the saying “It’s the same but different”. Of course you can also do a strum on the chord changes for a third dulcimer or for a less advanced skill level. Hold the chord and pick the strings in the order shown. The melody (Intermediate) is more scale oriented while the harmony counter point (more Advanced) is more chord oriented with patterned arpeggios picked through held chords. This is a 2 part arrangement of both Melody and Harmony. Here is my arrangement for two dulcimers, melody with sort of a counterpoint harmony. Pachelbel, Arr: Gary Gallier, Intermediate to Advanced, dAD, Key D. Good introduction to my style of Melodic Flatpicking. I have taught it to Beginners and Intermediates as well, and we always got through it by the end of the workshop. I wrote this catchy little fiddle tune for the wedding of my dear friend Ariane Lydon …she wanted something ‘snappy’ when the “I do” part was over. Brides Retreat– Composed by Gary Gallier, Novice and up, dAD, Key D.B Part tip, hold the strummed chords and bounce your thumb to get all the other notes. The A Part can be played with two fingers, one on the treble string and bouncing the other around to get notes you need. I use this tune frequently as an introduction to flatpicking for new players. Battlefield Road-composed by Gary Gallier, Novice and up, dAD, Key D.
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